Showing posts with label 16th and 17th weeks. Show all posts
Showing posts with label 16th and 17th weeks. Show all posts

Thursday, March 12, 2015

NONATTACHMENT, or HOW TO PRACTICE WITHOUT PRACTICING, also WEEKS 16 & 17 SEQUENCE

(Image: Yoga Sutra I.12 as translated by Chip Hartranft, 2003.)

Do you know that sometimes in order to master a challenging asana you have to stop practicing it? As counterintuitive as that seems, it is true that sometimes the best way to practice something is to not practice it at all. Actually, to say "not practice it at all" isn't entirely accurate. It isn't the case that practice stops outright; instead you shift the focus thereby making it a kind of indirect practice which, in some cases, turns out to be better than the more direct route.

We already know all about "practice"; we have discussed it at length -- what it is and what it isn't, how best to establish as well as to sustain it, and that it is both for our body and for that something which is more than just our body. We also know that, according to Patanjali, true practice emerges from efforts which are constant, consistent, and passionate (see previous post: "What Does Dirgha Kala Mean?").

(Image: Yoga Sutra I.14 as translated by Chip Hartranft, 2003.)

But that is only half of what Patanjali says is necessary on our part if we want to experience the kind of stilled consciousness he thinks is yoga's ultimate goal. If you want the physical and mental peaceful well-being that eliminates suffering, cultivates authenticity, and bolsters happiness, it isn't enough to practice, even if you do it really well. You must also be nonattached to the outcomes of your practice.

The word for "nonattachment" in Sanskrit is vairagya. It also means non-reaction, indifference, and disinclination. Its roots mean dislike and even hatred. Yoga tends to refrain from hating things, of course. And this isn't about liking or disliking. Patanjali is encouraging something less extreme here; namely, an attitude of neutrality.

We are beings easily moved by sense perceptions. That is to say, whatever we see or hear or touch creates desires in us. And we are naturally inclined to satisfy our desires: when we desire something, we are tempted to act in whatever way alleviates the desire. What is important to understand is that it isn't the wanting which is problematic. Lots of wants are good and necessary. When you are hungry, you want food. When you are tired, you want to sleep. There is nothing wrong with satisfying those desires assuming they are genuine and not manufactured for the wrong reasons.

What is problematic is when you act upon the desire with the intention of merely enjoying or benefiting from the outcome or result. If you eat, for instance, in order to relieve boredom or just to experience the flavor in your mouth without being truly hungry, that is an attachment that Patanjali says impedes the yogic path.

Vairagya is about balancing discrimination and contentment. First you must know the difference between wants and needs. Then you have to enact willpower in order to act reasonably toward those things. Discrimination in that sense is a kind of heightened self-awareness, and being skillfully particular allows you to make good choices. When you make good choices you are less likely to be tossed around by feelings (either positive or negative) associated with those choices. That is to say, when you have made what you believe to be a good choice, the results, for better or worse, are easier to accept. And contentment and acceptance are keys to nonattachment.

Remember practice is about affecting change; it is about producing outcomes (see previous pose: "First the Fish"). Nonattachment is about being genuinely okay with those outcomes regardless of their states or characteristics. Practice is about wanting something. Nonattachment is about understanding why you want it, and knowing how to achieve or receive it properly.

There are as many different ways to cultivate nonattachment as there are ways to practice. In fact, nonattachment is itself a kind of practice requiring constant, consistent, passionate effort. You can plant the seeds of nonattachment while on your sticky mat by watching your reactions to the way your body performs asana. Choosing to practice poses which are supportive and empowering with an attitude of curiosity and experimentation while abiding in patience and satisfaction is vairagya.

Of course that is all easier said than done. And the stronger the desire, the trickier it is to uphold. The more you want to perform a pose and the more strongly you desire mastery over it, the more difficult it can be to let go of your attachment to that achievement. And that is where cessation of its practice can prove the most useful.

Sometimes in order to master a challenging asana you have to stop practicing it. By that what I mean is practice something else. When some given pose is persistently challenging and unachievable, it probably means you are not ready for it. Some physical or mental or energetic necessity hasn't been developed in you yet. And continuing to plead for it and chase it will only stoke your ego, agitate your mind, and preserve restlessness. Not to mention the fact that it can put you at risk for injury.

Instead, if you shift your attention to some other (directly or indirectly related) area(s) of practice, you can continue working toward strength, mobility, patience, resilience, graciousness, awareness, and all the other things that arise from good practice. If you need longer hamstrings or stronger arms or more humility or less criticism, you can create and develop those things in other poses and in other experiences.

What often happens if that when you do return to that challenging asana weeks or months or even years later, it's not so challenging anymore. You have prepared yourself for it, you have made yourself ready. You are stronger and more flexible in more ways than one. You have more yogic maturity. You better understand the what's, why's, and how's of your practice. And your choice to reintroduce yourself to the pose is a good one which means you are more inclined to be content with the outcome of your efforts.

Sometimes it is your attachment to the pose which prevents you from experiencing it. Perseverance, commitment, and boldness are valuable yogic traits, but too much of a good thing turns virtue into folly. Sometimes wanting something too badly turns you into your own biggest obstacle.

Vairagya is the act of choosing your higher good, of setting aside feelings of success or defeat, and of neutralizing temptations. It is learning to be in the moment exactly the way it is without measurement or comparison or judgment. It is a kind of trust in yourself that you are right and good and capable. When your practice is free from the burdens of conquest and validation, it has the capacity for exponential growth.

Of course sometimes the right choice is to push through with dedicated effort. And sometimes skipping a pose is more about avoidance than intelligent discrimination. And sometimes taking a break doesn't give you any more capacity than if you had stuck with it. This is just one way to open your practice to new experiences, not a guaranteed liberation of obstruction.

But I do know from first-hand experience that it is worth considering. If you are struggling with a pose, maybe your yogic efforts are better directed elsewhere for the time being. In this way, you can continue to strengthen your practice as a whole while establishing yourself in nonattachment. By letting go of desire, you might get exactly what you want.


(Image: Yoga Sutra I.12 and I.15 as translated by Chip Hartranft, 2003)

The following is the "16th and 17th week" sequence in its entirety. The asana in blue correspond with the list of "Important asanas in Course I" on page 468 of LoY.

     Sanskrit names are in bold.
     (English names are in parentheses.)
     [Numbers in brackets correspond with illustrations.]
     Poses with an * are new to the sequence.
     Observe the change in the order of the asana.

Salamba Sirsasana I (Supported Headstand first variation) [184]

Utthita Trikonasana (Extended Triangle pose) [4 and 5]

Parivrtta Trikonasana (Revolved Triangle pose) [6 and 7]

Utthita Parsvakonasna (Extended Side-angle pose) [8 and 9]

Parivrtta Parsvakonasana (Revolved Side-angle pose) [10 and 11]

Virabhadrasana I (Warrior pose first variation) [14]

Virabhadrasana II (Warrior pose second variation) [15]

Virabhadrasana III (Warrior pose third variation) [17]

Ardha Chandrasana (Half Moon pose) [19]

Parsvottanasana (Intense Side-stretch pose) [26]

Prasarita Padottanasana I (Standing Wide-angle forward bend first variation) [33 and 34]

Prasarita Padottanasana II (Standing Wide-angle forward bend second variation) [35 and 36]

Padangusthasana (Standing Big-toe pose) [44]

Padahastasana (Hand-under-foot pose) [46]

Uttanasana (Standing forward bend) [48]

*Urdhva Prasarita Ekapadasana (Standing Splits) [49]

*Utkatasana (Fierce pose) [42]

Parighasana (Gate pose) [39]

*Ustrasana (Camel pose) [41]

Salabhasana (Locust pose) [60] or Makarasana (Crocodile pose) [62]

Dhanurasana (Bow pose) [63]

Chaturanga Dandasana (Four-limb Staff pose) [67]

Bhujangasana I (Cobra pose first variation) [73)

*Urdhva Mukha Svanasana (Upward-facing Dog pose) [74]

*Adho Mukha Svanasana (Downward-facing Dog pose) [75]

*Virasana (Hero pose) [86]

Salamba Sarvangasana I (Supported Shoulderstand first variation) [223]

Halasana (Plow pose) [244]

Karnapidasana (Ear-pressing pose) [246]

Supta Konasana (Reclined Angle pose) [247]

Parsva Halasana (Side Plow pose) [249]

Ekapada Sarvangasana (One-legged Shoulderstand) [250]

*Parsvaikapada Sarvangasana (Side One-legged Shoulderstand) [251]

Jathara Parivartanasana (Revolved Abdomen pose) [274 and 275]

Urdhva Prasarita Padasana (Upward Extended Legs pose, aka UPP) [276 to 279]

Paripurna Navasana (Full Boat pose) [78]

Ardha Navasana (Half Boat pose) [79]

Janu Sirsasana (Head-toward-Knee pose) [127]

Paschimottanasana (Seated forward fold) [160]

*Purvottanasana (Upward Plank pose) [171]

*Siddhasana (Adept's pose) [84]

Savasana [592]

Ujjayi Pranayama without inhalation retention (Section 203) in Siddhasana

     ~~~~~

Saturday, February 21, 2015

CABIN FEVER CURE, or WEEKS 16 & 17 PART 4

I am not a fan of winter; it makes me grumpy. I do not like the cold temperatures or the short days. I think blankets of snow are beautiful from afar, but I do not want to interact with snow in any way other than visually. And I am greatly averse to the ways it interrupts and interferes with "normal" life -- the travel and traffic hazards, the schedule changes and cancellations, and the forced confinements.

This week, like lots of other folks I'm sure, I found myself with extra time on my hands because the winter weather prevented me from adhering to my regular schedule of events. While I couldn't go to work or the yoga studio, was I able to take advantage of the situation and find other ways to be productive? ::sigh:: Nope. I would have loved to use the unexpected unoccupied time to practice yoga, to write, to read, to do chores. But I never unrolled my mat, never picked up a pen, and my house is a mess. Instead I did what winter often causes me to do: I neurotically paced from room to room incapable of any effective attentiveness, obsessively looking out the windows hoping to see something different with each peek, and then being inexplicably disappointed when it was exactly the same as it was six minutes earlier. I mean, what did I think I was going to see: a blizzard at 10:23 and the first buds of spring at 10:29? Yet some irrational part of me can't stop watching it happen, and while I am fixated on wishing it away, I'm not doing...well, anything else.

I finally got out of the house (and out of my head) for a while last night just before Arctic Blast 2015 Round 2 struck, and, even though I am frustrated that it has yet again interfered with the events I desired for this weekend, I do feel a little bit recharged and refocused today. It was like a cabin fever cure, and I can feel my wintry blues starting to thaw. Enough so to prepare this post to share with you at least, and maybe to get the vacuum out later.

My sticky mat is calling my name; perhaps yours is, too. If getting to the studio for class isn't an option for you either, then finding a spot in the house to practice could be just what this frosty day needs most. The following is a modified version of the 16th and 17th Weeks sequence we have been working on. A few extra poses have been added and a few others omitted. If there is anything in the sequence that you aren't familiar with or can't do or just don't want to do, then leave it out. It's your cabin fever; heal it anyway you see fit.


     Sanskrit names are in bold.
     (English names are in parentheses.)
     [Numbers in brackets correspond with illustrations in Light on Yoga.]

Balasana (Child's pose)

Adho Mukha Svanasana (Downward-facing Dog pose) [110]

Down-dog lunge

Anjaneyasana (Kneeling lunge)

Lizard lunge

3-5 rounds of Surya Namaskar A (Sun Salutations)

3-5 rounds of Surya Namaskar B (Sun Salutations)

Salamba Sirsasana I (Supported Headstand first variation) for 1-3 minutes [184]

Utthita Trikonasana (Extended Triangle pose) [4 and 5]

Parivrtta Trikonasana (Revolved Triangle pose) [6 and 7]

Utthita Parsvakonasna (Extended Side-angle pose) [8 and 9]

Parivrtta Parsvakonasana (Revolved Side-angle pose) [10 and 11]

Virabhadrasana I (Warrior pose first variation) [14]

Virabhadrasana II (Warrior pose second variation) [15]

Ardha Chandrasana (Half Moon pose) [19]

Prasarita Padottanasana I (Standing Wide-angle forward bend first variation) [33 and 34]

Padangusthasana (Standing Big-toe pose) [44] into Uttanasana (Standing forward bend) [48]

Utkatasana (Fierce pose) [42]

Parighasana (Gate pose) [39]

Ustrasana (Camel pose) [41]

Salabhasana (Locust pose) and Makarasana (Crocodile pose) [60 and 62]

Dhanurasana (Bow pose) [63]

Bhujangasana I (Cobra pose first variation) [73]

Urdhva Mukha Svanasana (Upward-facing Dog pose) [109]

Adho Mukha Svanasana (Downward-facing Dog pose) [110]

Virasana (Hero pose) [86]

Salamba Sarvangasana I (Supported Shoulderstand first variation) for 5-8 minutes [223]

Halasana (Plow pose) [244]

Supta Konasana (Reclined Angle pose) [247]

Ekapada Sarvangasana (One-legged Shoulderstand) [250]

Jathara Parivartanasana (Revolved Abdomen pose) [274 and 275] or another reclined twist of your choice

3-10 rounds of Urdhva Prasarita Padasana (Upward Extended Legs pose, aka UPP) [276 to 279]

Janu Sirsasana (Head-toward-Knee pose) [127]

Paschimottanasana (Seated forward fold) [160]

Purvottanasana (Upward Plank pose) [171]

Sit comfortably and practice Ujjayi Pranayama for 1-5 minutes (Section 203)

Savasana (Corpse pose) for 5-15 minutes [592]


Let's hope we can practice together again soon and often, and maybe in the meantime you can work on mastering your snow angel-asana.

Wednesday, January 14, 2015

RECOGNIZE. RELATE. REPEAT., or WEEKS 16 & 17 PART 3

The further we progress on the yogic path, the more we can examine yoga's relationships. There exist significant interplays, continuities, similarities, derivatives, connections, and exchanges, both direct and indirect, all throughout yoga's practices. And those relationships, be they physical or philosophical, are a fascinating aspect to study. For now, I want us to look again at some physical relationships between poses.

Sometimes Pose A serves as a direct and immediate preparation for Pose B. For instance, one easily recognizable relationship between Warriors I and III (Virabhadrasana 71 and 74) is that Warrior I is a direct preparation for Warrior III; it is explicitly stated so in the text (LoY 73).

Other relationships take more discrimination to uncover. If, for example, you understand that successful back bends require sufficient mobility in your hip-flexors (front thighs, even up into the lower belly) as well as your side body, then you could glean the value of using Gate pose (Parighasana 86) as preparation for Camel pose (Ustrasana 88). It isn't explicitly stated, and it isn't necessarily obvious simply by looking at their images; it's a relationship more likely to be recognized through practice itself.

And still other poses seem entirely unrelated, and yet they play together tremendously well. A great example of that is how efficiently a series of deep, skillful twists prepare your body for back bends. That is because twists stabilize your legs and hips while mobilizing your spine, and thus leave you properly anchored and nimble for back bends. So one way to prepare for a challenging pose such as Upward Bow (Urdhva Dhanurasana 361) would be with other obviously similar poses like Camel, Bow (Dhanurasana 102), and Bridge (Setu Bandha Sarvangasana 229); in other words, you could use back bends to get into back bends. That's clearly direct. But it's not the only (or necessarily best) way. You could also use poses like Revolved Triangle and Side Angle (Parivrtta Trikonasana and Parivrtta Parsvakonasana 64 and 65), Bharadvajasana variations (252), and Jathara Parivartanasana variations (239). It's certainly indirect, but surprisingly effective.

Often times, when you look closely at the form of a pose, you can see the components of some other pose(s), and that keen eyesight can help you decide what and how to practice. Say you want to work toward the first variation of One-legged King Pigeon pose (Ekapada Rajakapotasana I 390). It is a tough one that can be daunting to take on. You may look at a pose like that and think Yeah right, maybe next lifetime! But you only need to break it down to recognize its more digestible pieces. Start by asking yourself what you need to do to prepare; which poses have similar looking components? Well, the front leg looks like Bound Angle (Baddha Konasana 128) or Janu Sirsasana (150). The back leg is reminiscent of Bow or One-legged Frog (Ekapada Bhekasana [not in LoY]). The arms are overhead like Fierce pose (Utkatasana 89) or Down Dog (Adho Mukha Svanasana 110). And the torso is arched like Camel or Cobra (Bhujangasana 108). Those are all "Level 1" poses that are likely already a part of your ongoing repertoire. If you worked on each of them in their own right, you would simultaneously be working toward EPRK.

Recognition of related components certainly isn't limited to poses as dramatic or "advanced" as EPRK. We recently spent a class time focused on Upward Plank (Purvottanasana 176), and we prepared for it via a series of poses targeting the feet, legs, and hips plus a little attention to the shoulders. We could have spent our time more focused on the shoulders and upper back. Or we could have more thoroughly opened the hip-flexors. Or we could have looked carefully at the shape of Upward Plank and picked out some specific poses sharing similar components.

What do you see when you look at Purvottanasana? Which other pose(s) are you reminded of?

I see Locust pose (Salabhasana 100) turned upside down and Camel pose with straight (rather than kneeling) legs. Can you see the similarities?



How about when they're seen side by side? Here is Upward Plank next to Locust which has been turned upside down and rotated slightly so that the legs are at the same angle in both pictures.



And here is Upward Plank next to Camel.



Look specifically at his torso, arms, and head.



And now look at what happens when the images are overlapped.



There are substantial similarities between Purvottanasana, Salabhasana, and Ustrasana, which means that one way of preparing to practice any one of them is through practicing the others. You can practice a sequence which includes Locust and Camel and then peaks with Upward Plank, for instance. But their abilities to affect each other are reciprocal, and you could just as effectively practice a sequence which uses Locust and Upward Plank to peak with Camel, or practice Camel and Upward Plank to prepare for Locust.

And someday you might practice a sequence which includes Locust, Camel, and Upward Plank as a means of preparing for something like Two-legged Inverted Staff pose (Dwipada Viparita Dandasana 375). Can you see why that would be effective?

Asana practice is forever challenging and intense. But it isn't challenging just for the sake of being challenging, nor is it intense just for the sake of intensity. It is through endurance of repetitive intensity that you learn and change. The study of the forms of poses theoretically (i.e. analyzing the pictures and their instructions) informs the study of them experientially (i.e. actually practicing them on the mat). Through theory and practice you come to recognize their relationships to each other. Through the poses themselves, you recognize their relationships to your body. That takes you into deeper and deeper realms of understanding and accessibility. And from that comes recognition of the relationships between your body and your "something-more-than-just-your-body" (which is another post for another day).

Recognize. Relate. Repeat.


     ~~~~~

The following is the "16th and 17th week" sequence including the poses we have learned together in class up to this point and omitting those we have not yet learned.

     Sanskrit names are in bold.
     (English names are in parentheses.)
     [Numbers in brackets correspond with illustrations.]
     Poses with an * are new to the sequence.
     Observe the change in the order of the asana.

Salamba Sirsasana I (Supported Headstand first variation) [184]

Utthita Trikonasana (Extended Triangle pose) [4 and 5]

Parivrtta Trikonasana (Revolved Triangle pose) [6 and 7]

Utthita Parsvakonasna (Extended Side-angle pose) [8 and 9]

Parivrtta Parsvakonasana (Revolved Side-angle pose) [10 and 11]

Virabhadrasana I (Warrior pose first variation) [14]

Virabhadrasana II (Warrior pose second variation) [15]

Virabhadrasana III (Warrior pose third variation) [17]

Ardha Chandrasana (Half Moon pose) [19]

Parsvottanasana (Intense Side-stretch pose) [26]

Prasarita Padottanasana I and II (Standing Wide-angle forward bend first and second variations) [33 and 34, 35 and 36]

Padangusthasana (Standing Big-toe pose) [44]

Padahastasana (Hand-under-foot pose) [46]

Uttanasana (Standing forward bend) [48]

*Urdhva Prasarita Ekapadasana (Standing Splits) [49]

*Utkatasana {Fierce pose) [42]

Parighasana (Gate pose) [39]

*Ustrasana (Camel pose) [41]

Salabhasana (Locust pose) or Makarasana (Crocodile pose) [60 or 62]

Dhanurasana (Bow pose) [63]

Bhujangasana I (Cobra pose first variation) [73)

*Virasana (Hero pose) [86]

Salamba Sarvangasana I (Supported Shoulderstand first variation) [223]

Halasana (Plow pose) [244]

Karnapidasana (Ear-pressing pose) [246]

Supta Konasana (Reclined Angle pose) [247]

Parsva Halasana (Side Plow pose) [249]

Ekapada Sarvangasana (One-legged Shoulderstand) [250]

*Parsvaikapada Sarvangasana (Side One-legged Shoulderstand) [251]

Jathara Parivartanasana (Revolved Abdomen pose) [274 and 275]

Urdhva Prasarita Padasana (Upward Extended Legs pose, aka UPP) [276 to 279]

Paripurna Navasana (Full Boat pose) [78]

Ardha Navasana (Half Boat pose) [79]

Janu Sirsasana (Head-toward-Knee pose) [127]

Paschimottanasana (Seated forward fold) [160]

*Purvottanasana (Upward Plank pose) [171]

Ujjayi Pranayama with inhalation retention (Section 203) in Savasana [592]

     ~~~~~


"By performing asanas, the [practitioner] first gains health, which is not mere existence. It is not a commodity which can be purchased with money. It is an asset to be gained by sheer hard work. It is a state of complete equilibrium of body, mind and spirit. ... Where does the body end and the mind begin? Where does the mind end and the spirit begin? They cannot be divided as they are inter-related and but different aspects of the same all-pervading divine consciousness" (41).

Quote, images, and page and illustration numbers: Iyengar, B.K.S., Light on Yoga. New York: Schocken Books, 1979. Print.

Monday, December 8, 2014

WEEKS 16 & 17 PART 2, or THE BEST WAY TO GET UP MAY BE TO LIE DOWN

There is no one right way to learn a pose, or to get into a pose once you've learned it. For example, LoY instructs most of the classic level 1 lateral-angle standing poses (such as Triangle and Side Angle) from the starting point of Mountain pose. But at least one reputable lineage of practice often builds their standing poses from starting in a basic runner's lunge position. Is one better than the other? No, not unless one happens to be better than the other for you. And all sorts of contingencies are going to influence that; at the very least, which parts of your body are stiffer and/or stronger than some other parts. The point is simply that there is more than one good way to learn any given pose.

Lying on the floor happens to be one very good way to learn (or refine) poses. Nearly any pose or individual components of poses can be evaluated and clarified from a reclined position. One benefit to lying on your back is that the floor is doing a large part of the hardest work for you; that is, supporting the spinal column. Of course, without some appropriate use of toning and overall awareness, the lumbar or cervical curves could flatten. But the amount of effort required to maintain good spinal form is distinctly less when lying down than in any other position. And you have eliminated other challenging aspects such as balancing. Because you exert less effort on keeping the torso well-formed, you can distribute that energy and attention out into the limbs and their joints. In other words, a body-shape which is challenging to perform while standing or sitting or inverting may be more accessible while lying down. A few example: Reclined Hand-to-big-toe pose (Supta Padangusthasana, 244) first stage can teach you a lot about Intense Side Stretch (Parsvottanasana, 78), which is a basic standing pose, as well as inversions such as One-legged Headstand or Shoulderstand (Ekapada Sirsasana, 199 or Ekapada Sarvangasana, 223). The second stage of Supta P. is a great resource for understanding something as elementary as Triangle pose (Trikonasana, 63) as well as something more advanced such as Side Plank pose (Vasisthasana, 311). And Happy Baby (Ananda Balasana, not in LoY) is fantastic preparatory work for Crow pose (Bakasana, 315) and other arm-balances.

Of course they are not perfect replications. And there are limitations and exceptions to floor work. Anything that requires arm or leg extension into the back plane will be difficult or even impossible. Supta P., for instance, while it does give you an opportunity to improve the leg and hip mobility required for Parsvottanasana, it can't do much to help with that pose's traditional Reversed Prayer hands. And Reclined Hero (Supta Virasana, 123) is a wonderful way to prepare for a back bending sequence IF you can get into the pose. If you cannot comfortably get into Supta Virasana, then getting to the floor may be your peak rather than your prep.

What I hope to highlight here is that much can be gained from finding relationships between poses, and one such relationship which tends to be particularly helpful is recreating a pose or part of a pose with the support of the floor. Don't reinvent yoga every time you introduce yourself to a new pose. The body is complicated and intricate, but the ways in which it moves is in fact finite. Many of the poses are simply variations of each other with various relationships to gravity. So look for relationships and similarities, and use poses to learn other poses.

The following is the sequence we practiced in class on 12/7. We used reclining leg and hip poses as preparation for Shoulderstand variations. You can modify, decrease, or embellish this sequence in any way that works for you. You may want to add some rounds of Sun Salutation to the beginning, some poses to open your shoulders and upper-back, or, rather than spending the second half of the practice in Shoulderstand, you could use the reclined work as preparation for the standing sequence.


     ~~~~~

Opening meditation and any warm-up you desire

(Hold the following 5 poses for 1 minute each on the right side first, and then repeat each of them on the left side.)
1. Reclined Hand-to-big-toe pose (Supta Padangusthasana) variation with hands clasped behind thigh

2. Supta Padangusthasana first stage (either holding the big toe, the foot or ankle, or a strap around the foot)

3. Supta Padangusthasana second stage (with leg extended out to the side)

4. One-legged Happy Baby (Ekapada Ananda Balasana, not in LoY)

5. Eye-of-the-needle pose (Succirandhrasana, not in LoY)

Repeat poses 1-5 a second time on each side

Upward Extended Foot pose (Urdhva Prasarita Padasana, 240-242) 3-10 times

Revolved Abdomen pose (Jathara Parivartanasana, 237-240) 2-3 times per side

Happy Baby (Ananda Balasana)

Supported Shoulderstand first variation (Salamba Sarvangasana, 205-213) for at least 5 minutes

Plow pose (Halasana, 216) for 1-5 minutes (if your toes do not comfortably rest on the floor overhead, you should continue practicing first variation Shoulderstand and Plow before moving on)

(each pose in the Shoulderstand cycle can be held for 10-30 seconds)
Ear-pressing pose (Karnapidasana, 220)

Reclined Wide-angle pose (Supta Konasana, 221)

Side Plow pose (Parsva Halasana, 222)

One-legged Shoulderstand (Ekapada Sarvangasana, 223)

Side One-legged Shoulderstand (Parsvaikapada Sarvangasana, 225)

Finish your practice with any seated or reclined forward folds or twists that leave you feeling balanced, whole, and ready for several minutes of relaxation

Corpse pose (Savasana, 422) for 5-20 minutes

Closing meditation

     ~~~~~


As you move from pose to pose, think carefully about what you're doing while you're doing it for the sake of the present moment, and at the same time consider how what you're doing now may be related to upcoming actions. Where are the repetitions and similarities? Which poses most clearly inform others? Which poses most effectively teach or prepare you for others? Be receptive and curious. And questions and comments are always welcome.